Undergraduate study
English Studies with Creative Writing

English Studies with Creative Writing
BA (Hons)

Q3W8 BA/ESCW (Q3W9 BA/ESCWFY for Year 0 entry)

 
 
 

Course overview

The BA (Hons) English Studies with Creative Writing degree course is an excellent foundation for a career in writing, editing or publishing. As a writer, you develop a strong feeling for language and the linguistic tools available to you. You extend your boundaries and stretch yourself to refine your writing technique.

Alongside studying topics such as 18th-century novels, Victorian literature, modernism and contemporary writing, you have the opportunity to practise your creativity in a number of forms, contexts and genres. You’ll gain a solid understanding of textual transformations and creative-critical approaches, and develop personal and professional skills which are greatly valued by employers.

 

Course details

Course structure

Year 0 (foundation year) core modules

Academic Study Skills Toolkit

This module will assist you in developing the personal and academic skills that you will need for undergraduate study. It focusses on developing skills such as information retrieval, evaluation, critical thinking, note taking, presentation skills and group work.

Contemporary Issues in Social Sciences

This module will introduce you to the historical and contemporary development of social science disciplines and will provide examples of theoretical challenges and the ways in which research is applied in society. You will gain an understanding of the critical differences between disciplines and how interdisciplinary research is fostered through collaboration. You will also be introduced to academic standards, ethical guidelines and research protocols, personal development planning and to a range of study and transferable skills relevant to your degree course and beyond.

Fake News: Propaganda and Polemics, Past and Present

This module provides you with the opportunity to develop your skills in thinking critically about the information and analysis presented in an array of media in today’s digital world, drawing on the methodologies of a range of disciplines within the social sciences, humanities and law. You will explore examples of the debates over fake news in both the past and present, and look at how fake news can be used to both support and undermine the status quo, enabling you in the process to become more savvy and engaged citizens.

Historical and Popular Crime, Justice and Criminal Law

This module introduces you to the history of crime and justice, using media representations and crime fiction as a way of exploring crime over time, including aspects such as changes in society, law and education in this context.

Project

This module allows students to identify an area of interest related to their undergraduate degree and to explore this through a small scale research project where students will be required to produce an analysis of an area of focus.

Teesside: History, Literature, Culture, and Society

This module provides you with an opportunity to adopt an interdisciplinary approach to the Teesside region. You will learn about Teesside’s history, culture and society through the examination of various topics which will give you a deeper understanding of the region, both past and present.

 

Year 1 core modules

Concepts of Culture

What does it mean to say some kinds of culture are better than others? Why are some books discussed as if they are works of art while others are not? And how is it that the culture that surrounds us seems to offer us a place in the world? You are introduced to a range of writers, critics, and theorists who have explored these questions and who have arrived at some surprising conclusions. Some say that culture is used to control what we think and limit what we can do. Others suggest that culture can be the means to freedom and pleasure. You discuss the relation between knowledge and ethics – the idea that your place in the world affects how you experience it and how you respond to it – while at the same time developing confidence in your academic skills.

Creative Practice

You are introduced to the theory and practice of creative writing, as a field in its own right and in the context of English Studies. Based around various types of fictive production including the short story, flash fiction and novella, you study the key themes and conventions of fictional narratives and write your own drafts and stories. You’ll also become familiar with working in a writing group and exploring essential categories such as plot formation, characterisation and setting. You’ll also learn how to edit your work and how to give and receive feedback on creative writing.

Critical Practice

You are introduced to the practice of textual analysis. You learn the tools and strategies you need to explore the way that literary and visual texts establish meanings, and how they are structured to achieve particular effects. You develop your skills in reading as a writer and your creative-critical practice. You cover a variety of strategies for detailed analysis of the ways literary and visual texts establish meanings and how they are structured to achieve particular effects. You consider literary and symbolic form from its largest, generic components to its smallest, linguistic ones. You learn how to evaluate formal features of texts. You consider how critical judgements are made concerning specific texts – whether they are deemed to be good, bad, better or worse and on what grounds. You consider concepts such as beauty, unity, consistency, persuasiveness, coherence, engagement, ambiguity, complexity and emotive or affective impact. You also consider how textual forms interact with one another and how the appreciation of textual forms changes historically. Finally, you develop study skills in the practice of academic writing and research.

iLiterature: Reading, Writing, and the Internet

Has the internet killed the book? Has the growth of social media and online lives replaced the pleasures of reading? Do we need libraries when we have Google? What is the role of literature in the age of the app? This module asks you to explore these questions as well as think about your own presence in the online world. Linking the study of literary culture with your personal development as a learner and career development as a professional, you gain the skills required for future success.

Romantics to Realism

You are introduced to two major literary movements: romanticism and realism. You explore the dynamic relationship between texts and their historical and cultural contexts and important critical issues and terms. You explore key examples of romantic poetry and fiction, before moving on to consider the rise to prominence of realist fiction and autobiography as major literary genres of the Victorian period.

The Other Victorians

This module introduces the ‘other’ Victorians in several ways. You explore themes such gender, class, race, madness, sexuality and the supernatural in fiction from the 19th century – this encourages you to challenge cultural stereotypes about the Victorians. You study literature by British, Australian and American authors in a range of genres – poetry, the short story, the novella. This gives you the opportunity to understand Victorian literature and culture in transatlantic and wider international contexts, encouraging you to explore 19th-century texts written in genres other than the novel.

 

Year 2 core modules

Challenging Boundaries: Postmodern and Postcolonial Writing

This module examines literature and culture from the second half of the 20th century to the present, focusing on two (often interconnected) frameworks – postmodernism and postcolonialism. Both of these major strains within 20th- and 21st-century culture involve challenging boundaries, whether geographical, conceptual, generic, linguistic or based on gender, sexuality, race or class. This module introduces you to an exciting range of fiction, drama and film from Africa, the Caribbean, South Asia, Britain and the USA. You explore the ways in which these texts respond to, extend and challenge the experimental legacy of modernism, contest and complicate colonial structures of power and their contemporary legacies, and how they intervene in our understanding of the world we live in today.

English and the Real World

What have English literature and creative writing got to do with the 'real world' of work and careers? How do you translate academic knowledge into different forms and communicate it to different audiences? And what are the relationships between scholarly, writerly and professional skills? You address these questions to support your career plans. You focus on a range of ‘real world’ scenarios and you produce a written portfolio – incorporating a lesson plan, a marketing plan, and an academic journal abstract – showcasing the breadth and scope of your skill set and demonstrating the connections between professional, scholarly, and creative work.

Life Writing

Life writing is an increasingly popular and diverse form of creative writing incorporating biographies, memoirs, diaries, journals, letters, blogs, vignettes and self- and autobiographical fictions. It is also an area which blends the personal and professional in a variety of dynamic interactions with our known and unknown selves. You explore a number of developmental approaches to the subject, and use key examples from famous writing lives, you create a secure environment to experiment with your own textual life.

Make it New: The Age of Modernism

You explore one of the most innovative artistic movements of the twentieth century – modernism. You examine the diverse ways in which writers of the early 20th century sought to ‘make it new’ (Ezra Pound, 1934) by experimenting with new modes of literary expression. You explore the relationship between literature and other forms of cultural expression (such as visual art, music, and film) and examine the dynamic relationship between modernism and modernity. You explore the ways artists and writers responded to historical and cultural change.

Representation and Cultural Identity: Student Conference

This module explores the proposition that our sense of who we are and how we perceive others is tied to the way identities are constructed through forms of cultural representation. And many people have argued that the way our perception is constructed tends to privilege some groups over others. You investigate these ideas in relation to a contemporary text of your choosing and present your research as a paper delivered at a student conference.

Transformative Practice

You improve your creative writing and reading practices by transforming the work of other writers, directors and artists. You select your own source material to experiment and translate it into your own form of creative expression. You’ll be expected to read widely about theories of transformative or ‘crossover’ writing and include draft material in your weekly writing journal.

 

Final-year core modules

Creative Writing Project

You undertake a major piece of creative writing of up to 10,000 words. It represents the culmination of your creative writing studies as an undergraduate, and is based around a ‘statement of intent’ as part of a negotiated learning contract with your supervisor. You explore a specific type of writing in depth, and reflect on the process involved in its production. You address topics and issues faced by independent writers in order to develop your own transferable skills in this area. You are supported by an appropriate supervisor, with access to relevant materials and a VLE discussion board with peer writers.

Major Project: Live Brief

In your final year, you publish an article in the Journal of English at Teesside or a major piece of creative writing in The Teesside Review. This module is the first stage in that process. You work on a themed special issue of the publication as part of its editorial team. As part of that team you scope the brief, identify and produce resources for the project, and plan your own individual contribution with support from your group. You also recognise and articulate the broad range of skills you have acquired and use them as part of the planning process for your graduate career.

Major Project: Publication

As a final-year English studies student at Teesside, you will have the opportunity to publish an article in the Journal of English at Teesside. This module is the culmination of the project you began in the Live Brief module. Under the supervision of your project lead, you produce a draft of your article, receive editorial feedback, and ultimately submit it for publication in this journal.

 

optional modules

African American Writing

The focus of this final-year option module is on an especially fascinating and dynamic aspect of the American literary tradition – African American writing. We explore a selection of fiction and poetry by African American authors writing during key periods in 20th-century African American history and culture. We examine how these authors responded to the experience of slavery, segregation and racism and how their writing played a key role in movements for radical social change. Texts may include fiction, short stories or memoirs by authors such as Booker T Washington, Nella Larsen, Richard Wright, Ralph Ellison, James Baldwin and Alice Walker. We also explore the work of poets of the Harlem Renaissance (1920s and 1930s) and the Black Arts Movement (1960s and 1970s) including authors such as Langston Hughes, Gwendolyn Bennett, Etheridge Knight and Nikki Giovanni.

Betrayal: Literature, Modernity and Trust

You examine literary texts from the late 19th to the late 20th century where trust and distrust play fundamental roles. Trust operates on a number of levels, from the thematic to the formal, from texts in which trust and betrayal form the basis of the plot-line, to works which undermine the reader’s trust in the text by challenging the expectations of genre. You also question authenticity of narrative forms and experimental strategies. Recently, financial crises, political uncertainty and the loss of confidence in organisations such as newspapers and supermarkets can have a profoundly destabilising effect on society. Such crises demonstrate just how much is taken on and how much depends on – trust under the conditions of modernity. Why is trust so important? What happens when trust breaks down? And what are the relationships between literature, modernity and trust?

British Muslims in Contemporary Fiction and Film

In the wake of the controversy surrounding Salman Rushdie’s 1988 novel The Satanic Verses, and especially following the terror attacks of 9/11 and 7/7, Britain’s Muslim minority has been increasingly at the centre of tensions, controversies and urgent debate concerning multiculturalism. Focusing on a range of contemporary novels and films, you explore the varied ways in which writers and directors have engaged with, responded to and reframed this context. This module adopts an interdisciplinary approach to the texts, reading them in the context of events that have placed British Muslims in the spotlight and in relation to media coverage of these events.

Contemporary Historical Fiction

You engage critically with one of the most widely-read categories of contemporary fiction – the historical novel – by studying some of its most innovative recent examples and placing these into literary-historical context. You explore the ways historical novels exploit and interrogate traditional boundaries between literary and non-literary forms, between genres, and between literary and popular fiction, in order to discuss the ways in which a category of fiction that is often critically maligned, or discussed narrowly in terms of its historical accuracy, can also provoke illuminating and wide-ranging critical analyses. You discuss the diverse forms and techniques used to represent the past, and a type of fiction central to the contemporary literary market, using a sophisticated critical vocabulary.

Detective Fiction and Crime Drama Since the Time of Sherlock Holmes

You examine selected examples of detective fiction from the time of Sherlock Holmes. Sir Arthur Conan Doyle wrote the famous Sherlock Holmes novels and short stories over a period of 40 years (1887–1927). Detective fiction became extremely popular and many now lesser known detectives caught the public imagination. You study a range of other serial detectives from the aristocratic Lady Molly of Scotland Yard to the destitute Hagar of the Pawnshop, from the young Miss Cayley, newly graduated from Girton College to the ‘the old man in the corner’ solving mysteries as he sits in a café drinking milk and eating a bun.
You move on to the television age - you examine popular detective television drama to explore how key conventions of the literary genre have developed into contemporary culture and what crime fiction can teach us about modern day socio-economic concerns and developments in criminology. You explore online databases such as British Periodicals Online and British Library 19th Century Books to discover, read and critically consider the range of stories available. Then you look at series such as The Sweeney, Cracker, Life on Mars, Sherlock, and Happy Valley, among others.

Questions of Feminism

Feminism has had a huge impact not only on society but also on literature – authors and critics have created radical new ways of thinking and writing about gender and sexuality. You build on the work on representations of gender and sexuality in the first and second years of your degree. You focus on the diversity of contemporary feminist theory – from Marxist and psychoanalytic feminist theories to African American and queer feminist theories. You explore the questions raised by these theories through close analysis of a range of late twentieth century and contemporary fiction. Texts explored could include Angela Carter’s The Magic Toyshop (1967), Toni Morrison’s The Bluest Eye (1970), Pat Barker’s Blow Your House Down (1984), Jackie Kay’s Trumpet (1998) and Sarah Waters’s Affinity (1999).

 

Modules offered may vary.

 

How you learn

At Teesside University you learn in a range of settings from large group lectures to discussion-based seminars, independent research, small group work, individual tutorials and workshops. Reading groups and peer support play an important part in your learning too. You’ll work with lecturers who are experts in teaching and learning as well as being scholars, researchers and writers. You’ll also have the opportunity to support others through the PASS (peer-assisted study sessions) scheme.

How you are assessed

With no formal examinations, you are assessed through a writing journal, critical review, essays, portfolios, continuous assessment, presentations, blogs and major projects, all of which develop advanced skills in creative, academic and professional writing, as well as high-level presentation and communication skills.

Timetabling information
As a full-time student your timetabled hours are between Monday to Friday, 9.00am - 6.00pm. On Wednesdays the latest you will be timetabled is until 1.00pm. Hours of attendance vary between 12 hours and 20 hours per week. Part-time undergraduate students are required to attend during the same days and times as full-time students but for only a proportion of the time, dependant on the modules being taken. Module choices are discussed with course tutors during the enrolment and induction period. Further details are automatically sent to applicants due to enrol this year.

Your full teaching timetable for Semester 1 of the 2018/19 academic year should be available from 1 September 2018. Standard University term dates can be found here.


Our Disability Services team helps students with additional needs resulting from disabilities such as sensory impairment or learning difficulties such as dyslexia
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Entry requirements

Entry requirements

Call us on 0800 952 0226 about our entry requirements

For additional information please see the entry requirements in our admissions section

International applicants can find out what qualifications they need by visiting Your Country


You can gain considerable knowledge from work, volunteering and life. Under recognition of prior learning (RPL) you may be awarded credit for this which can be credited towards the course you want to study.
Find out more about RPL

 

Employability

Career opportunities

Graduates are well prepared to work as editors and writers in publishing houses or freelance writers for the creative industries. Other potential career paths include journalism, media and communication, retail management, arts administration, civil service, education, performing arts and the law. There are excellent opportunities for those wishing to pursue postgraduate studies at Teesside in English, cultural studies and creative writing.

 

Information for international applicants

Qualifications

International applicants - find out what qualifications you need by selecting your country below.

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Useful information

Visit our international pages for useful information for non-UK students and applicants.

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Full-time

Entry to 2018/19 academic year

Fee for UK/EU applicants
£9,250 a year

More details about our fees

Fee for non UK/EU applicants
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What is included in your tuition fee?

  • Length: 3 years or 4 years including foundation year
  • UCAS code: Q3W8 BA/ESCW
    Q3W9 BA/ESCWFY for Year 0 entry
  • Call us on 0800 952 0226 about our entry requirements

Apply online (full-time) through UCAS

 

Part-time

From Sept 2018 entry

Fee for UK/EU applicants:
£4,500 (120 credits)
More details about our fees

  • Length: Up to 6 years
  • Attendance: Daytime
  • Enrolment date: September
  • Admission enquiries: 01642 342308

Apply online (part-time)

 

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Find your ideal degree course here at Teesside University and feel welcomed, supported and prepared for the career you want.

 

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17 November 2018
Undergraduate open day

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